Stop pitching brands. Start getting briefed.
You did not become a travel creator to write follow-up emails about unpaid invoices. We handle the commercial side so you can spend your time on the part you are actually good at.
Apply to the roster
Who does what.
The split is deliberately boring, and it is the reason these partnerships last.
We handle
- Finding briefs that fit what you already make
- Rates, usage rights and exclusivity, argued properly
- Contracts, invoicing and chasing late payments
- Deadlines, revisions and the awkward client conversations
You handle
- The work itself, in your own voice
- Being where you said you would be, when you said
- Telling us early when something slips
- Saying no to briefs that would cost you your audience
What we look for.
Follower count is not on this list. It never has been.
- A defined audience, whatever its size
- A creator with 8,000 people who trust them on one region is easier to place than one with 400,000 who trust them on nothing in particular. We have booked both. The small one performs more often.
- Real travel behind the content
- Brands increasingly check. If your destination coverage does not survive a look at your own timeline, neither of us wants that conversation.
- Engagement that behaves like people
- We look at comment quality, follower growth curves and audience geography. Bought engagement shows up quickly and ends the conversation.
- You answer messages
- Unglamorous, and the single most common reason a creator drops off our list. Brands book people who reply.
How to join.
- 1
Send us your work
Your profiles, the destinations you cover, and two or three pieces you are actually proud of. No media kit needed at this stage.
- 2
We look properly
Audience, history, fit with the brands we work with. You get an answer either way, usually within two weeks.
- 3
You go on the roster
We come to you when a brief fits. No exclusivity, no fee, no obligation to accept anything we send.
We say no more often than we say yes, and we tell you why. A rejection now is not a rejection forever; several creators on the roster applied twice.
Send us your work.
Profiles, the regions you cover, and a couple of pieces you are proud of. That is enough to start.