Creators your audience already trusts.
You are not short of people willing to post about your destination. You are short of people whose recommendation actually changes a booking decision. That difference is the whole job.
Talk to us about your brand
Why most influencer budgets disappoint.
It is rarely the creator. It is almost always the setup around them.
What usually happens
- Booking by follower count, then wondering why nothing moved
- A brilliant post, and no rights to use it anywhere else
- Creators who have never been to the destination they are selling
- One campaign, no relationship, starting from zero next quarter
How we run it
- Booking on audience fit and evidence of past performance
- Usage and exclusivity agreed before the first frame is shot
- Creators with genuine, checkable history in your region
- Partnerships that get cheaper and better the longer they run
What you actually get.
- A shortlist you can defend internally
- Every creator comes with the reasoning: who their audience actually is, which of your destinations they credibly cover, and what their last comparable campaign delivered. No lists of names without arguments.
- Terms negotiated before anyone films
- Usage rights, exclusivity windows, deliverable counts, reshoot conditions and payment schedule are settled up front. The expensive surprises in creator marketing almost always come from what nobody wrote down.
- One point of contact, not twelve inboxes
- We run scheduling, briefing, approvals and chasing. Your team reviews and approves; it does not project-manage eight freelancers across five time zones.
- Reporting you can take to a budget meeting
- Results against the goals we agreed at the start, with the misses named as clearly as the wins. If a creator underperformed, that is in the report.
How an engagement runs.
Indicative timing for a first campaign. Longer partnerships compress this considerably, because the vetting is already done.
- Week 1
Scope and goals
We agree what success means in numbers, which markets matter, and what you already tried. If we think creator marketing is the wrong tool for the goal, we say so here.
- Weeks 2–3
Shortlist and terms
You get a shortlist with reasoning and indicative costs. We negotiate with your chosen creators and bring back signed terms.
- Weeks 4–8
Production and publishing
Briefing, shooting, review rounds and scheduling. You approve; we handle everything around the approval.
- After
Results and what comes next
A report against the agreed goals, plus a recommendation on which creators are worth keeping for the long run.
Tell us what you are trying to move.
Bookings, awareness in a new market, a launch with a date attached. Bring the goal and we will tell you honestly whether creators are the right lever for it.